I’m getting back on the web after being away. Writing about audio, blogging, and other stuff.
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Is there such a thing as Value 4 Value blogging? If you haven’t heard of it, but you probably have, Value 4 Value is a monetization method where you simply ask the consumers of your content to contribute back in…
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How did I get infected with this?
Anyone else found themselves in this vicious cycle? I think about sharing what I’m doing, what I’m learning, or whatever. So I think about how – where, what site, what channel. Then I feel pressured to “create value” and to…
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The blogging tool merry-go-round
After spending 2.5 days studying 8 different options, I’m back at WordPress.com. BUT, when Ghost is connected to the Fediverse, I’ll probably jump to it. And I may stick with Micro.Blog for a bit longer.
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Deity PR-2 Review
I got a Deity PR-2 belt pack recorder, and so far it’s a keeper it’s revealed a fatal flaw. While I’m a hobbyist/general purpose audio guy I thought this could be a nice recorder form factor to have. Here are…
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Why the DJI Mic 2 doesn’t work as a standalone purchase
Just got the DJI Mic 2 to use as an everyday recorder, but after a short trial I determined it doesn’t really work without a receiver, which cannot be bought separately. The unit records fine, and sounds ok. But the…
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Recording decent audio while cycling
So I decided to try to figure out a way to record audio while riding a bike. And what I mean is, like, podcast style audio, not so much the sounds of the bicycle itself. I got to thinking about…
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Dear Bandcamp and musicians selling there
As I’ve gotten back into music, I’ve finally figured out why I got out of it. Streaming sucks. I’m not talking about the quality, or things that disappear, or that so little is paid to the artists, which are all…
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Conservatory Ambience
My middle child had an audition at a music conservatory and as part of that was invited to a rehearsal of a quartet. I waited in the very reverbient lobby, but the quartet was audible so I recorded some of…
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The case for handheld mics
Here’s why every field recording hobbiest should own a decent handheld dynamic omnidirectional interview mic: They’re inexpensive. A really good one might be $220 new if you go for the long-handled neodymium magnet high-output ones, but most are $100-160. For…
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